Fantastic Plastic Machine (FPM), AKA Totoyuki Tanaka is one of the most exciting producers to come out of Japan since the international breakthrough of his friend and regular collaborator Shinichi Osawa (Data / Southern Fried). Building fantastically intricate and fascinating club tracks from insane glitchy edits merging eclectic influences from hard rock to lounge and bossa, FPM delivers a vibrant combination of intelligent production with club attitude. A massive personality with amazing stage presence, FPM is a well established legend in his native Japan, but expect to be hearing much more from him internationally in 2010 / 2011 with the release on MofoHifi of most recent album entitled simply “FPM”.

As a warm up, Fantastic Plastic Machine turns his attention to the most recent single release from The Young Punx “SugarCandySuperNova” giving the electro disco track a deranged glitched rock guitar makeover.

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The lovechild of sleazy East London disco and jpop-esque female vocals, Laura Kidd’s perky performance adds vocal bounce to the track’s twisted disco vibe. Perfect for late-night, back-alley antics ‘SugarCandySuperNova’ is the Punx latest offering to be lifted from current album ‘Mashpop & Punkstep’.

Calling in remix favours from fellow stirrers of the scene MofoHifi have put together a world class remix package. First in the party is Per QX, self proclaimed leader of the Dalston Gay mafia and founder of Gutterslut, creating a gritty electro workout. Meanwhile LA’s Acid Girls bring their own unique blend of cool weird electro to the party. Superfrank arrives armed with guitar blended big beats and Redroche provides the massive big room house banger. Read more

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The Young Punx are a busy bunch. Remixing, producing and performing have kept them almost constantly busy over the past two years, but somehow they’ve found the time to get back in the studio and finish their own album. ‘Mashpop & Punkstep’ is due for release early next year, but in the meantime the collective drop a double a-side single to whet the appetite…

First up is ‘Simple Pleasures’, featuring vocals from Laura Kidd and Yolanda Quartey, this is a rolling trip of a track, opening with 1970’s influenced punk vocals and ending in d&b toastings. Proof if ever it was needed that a hooky riff, strong bassline and love-based lyrics are a timeless blend.

Meanwhile ‘Like Dat’ is a murkier affair, combining Memphis rap, old school hip hop grooves, rock guitars and a uniquely filthy London bassline, ably ridden by Count Bass D’s commanding flow. An almost improvised gem, the Count’s vocals were the first continuous take, recorded immediately after they had been penned and guitar legend Guthrie Govan’s solo was again a first take, this time with him playing having never heard the track before.

The Young Punx themselves are a fluid collective, in demand as remixers, producers, DJs and a band, they draw on breaks, rock, hip hop, electro and even pop to create their own unique and un-genrefiable sound. A sound that has already seen them release one album to critical acclaim, gaining praise from the likes of Pete Tong, Annie Nightingale and Clash magazine along the way.
With their second longplayer due for imminent release The Young Punx are now making moves up the ladder and are sure to be coming to a radio station, dancefloor or live venue near you soon…

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